A man walks past a mural depicting US actors John Travolta and Samuel L. Jackson holding thermometers instead of guns amid the Covid-19 pandemic, in Tel Aviv on March 1, 2021. (Photo by Emmanuel Dunand/AFP Photo)

A street merchant waits for customers in Niamey, Niger, Monday, August 14, 2023. Niger's mutinous soldiers say they will prosecute deposed President Mohamed Bazoum for “high treason” and undermining state security. (Photo by Sam Mednick/AP Photo)

Women wait for customers at the fish harbour in Kasimedu Fish market, Chennai, India, on June 26, 2024. (Photo by Riya Mariyam R./Reuters)

This photograph shows the famous Lyonnais fresco by CiteCreation with a tag depicting the Abbe Pierre with the word “rapist” next to it, in Lyon central-eastern France, on September 30, 2024. (Photo by Jeff Pachoud/AFP Photo)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

Billy Zane and Jasmina Hdagha attend the world premiere of Titanic 3D at The Royal Albert Hall on March 27, 2012 in London, England. (Photo by Dave Hogan/Getty Images)

Sebastien Laurent, manager of the Zoo, gives a slice of cake to Major, the holdest captive Orang-Outang in the world, as part of its 50th birthday ceremony, on July 17, 2012, at the La Boissiere-du-Doree Zoo near Nantes, western France. (Photo by Alain Jocard/AFP Photo)

Measuring just five feet at its widest point, the ultra-thin home was unveiled in the Polish capital of Warsaw on Sunday, October 21, 2012. Photo: The Keret House is squeezed into the space between two apartment buildings in Warsaw. There's a four-inch gap between the apartment buildings to either side. A perforated steel facade was used to allow in more light. (Photo by Andrea Meichsner/The New York Times)