A woman gets a pedicure in Port-au-Prince, Haiti, on October 13, 2017. (Photo by Andres Martinez Casares/AP Photo)

A fisherman carries his catch to sell on the beach in Libreville, Gabon, February 3, 2017. (Photo by Mike Hutchings/Reuters)

People arriving for Ladies day at the EBOR Festival at York Racecourse in Yorkshire, England on August 18 2022. (Photo by Matthew Lofthouse/South West News Service)

Fans of American football gathered at Tottenham Hotspur Stadium to watch the Jacksonville Jaguars win against the Buffalo Bills 25-20 in the NFL on October 08, 2023 in London, England. (Photo by Peter Tarry/The Times)

An Indian Sadhu, or Hindu holy man, performs a yoga position on International Yoga Day at Kamakhya temple in Gauhati, India, Friday, June 21, 2019. (Photo by Anupam Nath/AP Photo)

Riders from Netherland and Belgium crashes in the women's track cycling madison final during the Tokyo 2020 Olympic Games at Izu Velodrome in Izu, Japan, on August 6, 2021. (Photo by Matthew Childs/Reuters)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

Sultan, a famous captive fennec that is displayed tied on a rope in front of a tourist shop, is the main attraction in the souk of Douz, a desert town in Tunisia. By the display of such a charismatic animal, tourists are often lured to buy things or pay for pictures. On inquiry, although Sultan has been caught as a pup in the wild, the owners of the shop reassure the foreigners stating that the animal is ‘domestic’. (Photo by Bruno D’Amicis/Fritz Pölking Prize/GDT EWPY 2015)