A girl dressed as a living goddess “Kumari” poses for a photograph before taking part in the “Kumari Puja” rituals at the Hanuman Dhoka at Durbar Square in Kathmandu on September 27, 2023. (Photo by Prakash Mathema/AFP Photo)

Hundreds of people from a range of NGOs and campaign groups protest to demand the immediate restoration of nature at DEFRA – Department for Environment Food & Rural Affairs on September 28, 2023 in London, England. The 2023 State of Nature Report revealed that approximately one in six species in Great Britain, including turtle doves and hazel dormice, are at risk of extinction, citing climate change, intensive farming, and pollution as major threats, with a 19% average decline in monitored plant and animal populations since 1970. (Photo by Guy Smallman/Getty Images)

Poland's Daria Pikulik, Poland's Wiktoria Pikulik and Britain's Elinor Barker (R) crash as they compete in the Women's Madison race during the fifth day of the UEC European Track Cycling Championships at the Omnisport indoor arena in Apeldoorn, on January 14, 2024. bark (Photo by John Thys/AFP Photo)

Students perform traditional dance as they take part in Pongal celebrations, the Tamil harvest festival, at a college in Chennai on January 10, 2024. (Photo by R. Satish Babu/AFP Photo)

Coral grows in a sculpture at the MUSZIF underwater museum in Isla Fuerte, Bolivar department, Colombia, on May 22, 2024. In the Colombian Caribbean an underwater museum protects coral reefs threatened by tourism and climate change. (Photo by Luis Acosta/AFP Photo)

Monica Barbaro and Callum Turner are seen filming at the “One Night Only” set in SoHo, Manhattan on November 07, 2025 in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images)

Street photographer Yassine Alaoui Ismaili follows 16-year-old Emeer Guesmi, aka B-boy Zulu Rema, as he trains and performs breakdance moves – all without the use of his legs. At a breakdance championship in Tunisia, Casablanca-based street photographer Yassine Alaoui Ismaili noticed an unusual competitor: Emeer Guesmi, dancing without the aid of his lower legs. He started following him as he trained and performed. (Photo by Yassine Alaoui Ismaili/The Guardian)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)