A man watches as high surf crashes into the wall and spills onto Channel Drive in Montecito, Calif., January 7, 2016. Bacteria levels can increase significantly during and after rainstorms as contaminants in the runoff enter the ocean via storm drains, creeks and rivers. (Photo by Mike Eliason/AP Photo)

In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

College students take shelter at a traffic point as a man paddles his rickshaw through a flooded road during heavy rain in Guwahati, India, June 13, 2017. (Photo by Anuwar Hazarika/Reuters)

Children of the Roma community play as they cool off in a fountain in the main square of Pristina, Kosovo on June 14, 2017. (Photo by Armend Nimani/AFP Photo)

Pakistani Christian Maria Akbar, 15, checks herself in the mirror, after having her make up done by hairdresser Razia Rehmat, 39, in preparation for Christmas holiday, at a hair salon, in a slum that hosts Christian families, on the outskirts of Islamabad, Pakistan, Wednesday, December 24, 2014. (Photo by Muhammed Muheisen/AP Photo)

This photo taken on April 5, 2013 shows Buddhist monks passing a yak in Seda Monastery, the largest Tibetan Buddhist school in the world, with up to 40,000 monks and nuns in residence for some parts of the year. Seda, known to Tibetans as Serthar is located in Ganzi prefecture in the west of China's Sichuan province and has become a hotbed of protests and violence since the Tibetan uprisings of March 2008. (Photo by Peter Parks/AFP Photo)

A rag-and-bone woman stands next to carriages of a coal train outside a coal mine of the state-owned Longmay Group on the outskirts of Jixi, in Heilongjiang province, China, October 22, 2015. (Photo by Jason Lee/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)