Aviator Frantisek Hadrava moves Vampira, an ultralight plane based on the U.S.-design of light planes called Mini-Max, out of a garage in the village of Zdikov, Czech Republic, August 23, 2016. Frantisek thought driving to work for 14 minutes was too much, so he built an plane to cut the commute by half. (Photo by David W. Cerny/Reuters)

Arisha, 9, takes instructions from coach Younus Qambrani during an exercise session at the first women's boxing coaching camp in Karachi, Pakistan February 19, 2016. For the past six months about a dozen girls, aged 8 to 17, have gone to the Pak Shine Boxing Club after school to practice their jabs, hooks and upper cuts. (Photo by Akhtar Soomro/Reuters)

Cha Huilan, a 40-year old Lisu woman, and her daughter leave Lazimi village with a zipline across the Nu River in Nujiang Lisu Autonomous Prefecture in Yunnan province, China, March 24, 2018. Chinese mountain villagers, cut off from shops and churches by a raging river, use a zipline to cross its violent rapids and jagged rocks. (Photo by Aly Song/Reuters)

From footballs to live fish, delivery mopeds piled high with unwieldy, unlikely goods are one of the Vietnamese capital’s most distinctive sights. As the city plans to ban motorbikes altogether, photographer Jon Enoch captured the drivers at work. (Photo by Jon Enoch/The Guardian)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.