A drone view shows the Folkestone White Horse with a red nose that has been placed to make the landmark overlooking the town look like Rudolph the Red-Nosed Reindeer ahead of Christmas, in Folkestone, Britain, on December 19, 2024. (Photo by Chris J. Ratcliffe/Reuters)

(L-R) Giselle, Ningning, Karina and Winter of South Korean girl group aespa attend the 2025 Billboard Women in Music at YouTube Theater on March 29, 2025 in Inglewood, California. (Photo by Amy Sussman/Getty Images)

Planes land in fog at Heathrow Airport, west London on January 4, 2014, as heavy fog covers a many parts of the south east. (Photo by Steve Parsons/PA Images via Getty Images)

Buildings in Lujiazui financial district are seen shrouded in fog amid an orange alert for heavy fog in Shanghai, China on January 31, 2024. (Photo by Xihao Jiang/Reuters)

Sandy Bell stands with her golden doodle dog Ozzy looking out at the golden sunrise breaking through the tree on a cold and frosty morning at Bowden Loch near Melrose in the Scottish Borders, South Scotland on February 7, 2025. (Photo by Phil Wilkinson/The Times)

A young festivalgoer jumps to burst a bubble at Latitude Festival at Henham Park, Britain, July 22, 2021. (Photo by Peter Cziborra/Reuters)

Flamingoes in Laguna Colorada, Altiplano, Bolivia, South America in 2018. (Photo by Oksana Belikova/Rex Features/Shutterstock)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)