A boat is stranded on Poyang Lake in Lushan City, China during low-water season on November 3, 2016. (Photo by Xinhua/Barcroft Images)

A street cleaner demonstrates his martial arts skills in front of a closed shop near Beijing's Tiananmen Square September 2, 2015 as the capital prepares for tomorrow's parade. (Photo by Damir Sagolj/Reuters)

This aerial photo taken on December 28, 2018 shows commercial and residential buildings in Hong Kong. (Photo by Dale De La Rey/AFP Photo)

“Leopard Hunting a Stork”. “One-shot capture. I watched the leopard stalking the stork, I only had time to focus at 400mm, no time to change to high speed, I watched the stork, and as soon as it flapped its wings, I shot one shot”. (Photo by Paul Rifkin/National Geographic Travel Photographer of the Year Contest)

Models promote a condom brand at the first Shenzhen s*x Culture Festival on September 21, 2007 in Shenzhen of Guangdong Province, China. The festival aims to increase awareness about reproductive health and popularise s*x education. (Photo by China Photos/Getty Images)

American actress and social media personality Madelaine Petsch in the last decade of April 2024 has the “best night” of her life at an ABBA performance. (Photo by madelame/Instagram)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)