Participants approach a law enforcement officer with open arms during an opposition demonstration to protest against police violence and to reject the presidential election results near the Government House in Independence Square in Minsk, Belarus on August 14, 2020. (Photo by Vasily Fedosenko/Reuters)

A woman reacts after she mades a wreath of flowers during the celebrations of the Kupala night in Pyrohiv, near Kiev, on July 6, 2021. During the celebration, an ancient slavic ritual related to the summer solstice, people wear wreaths, jump over fires and bathe naked in rivers and lakes. (Photo by Sergei Supinsky/AFP Photo)

Japanese chorus girls appear to be drilling in military tactics atop their theater building as they perform salutes, June 30, 1937. The officer is from the Japanese regular army and says the girls display more rhythm in their drills than do the regular troops. (Photo by AP Photo)

French artist Gino rides the “Celestial Cyclo” tricycle built by him in Le Marais neighbourhood in Paris, France, August 15, 2015. (Photo by Pascal Rossignol/Reuters)

This picture was taken in the 1890's and shows a group of loggers hauling a heavy load. It is hard to even picture how they got the logs stacked that high. It is also hard to imagine how they keep it from tipping over.

A Hindu holy man on his way to the annual holy dip at Gangasagar, gestures towards a visitor as he rests at a transit camp in Kolkata, India, Wednesday, January 6, 2016. Thousands of Hindu pilgrims are expected to take the annual holy dip at Gangasagar, where the Ganges River reaches the Bay of Bengal, on the auspicious Makar Sankranti festival day that falls on Jan.14. (Photo by Bikas Das/AP Photo)

A “colacho” (a person dressed up as a devil) chases people during “El salto del Colacho”, the baby jumping festival in the village of Castrillo de Murcia, near Burgos on June 3, 2018. (Photo by Cesar Manso/AFP Photo)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.