From artist Alberto Varanda comes this adorable series of cute kids, as superheroes, in his series of artworks titled: “Little Heroes World”. Featuring characters from DC Comics and Marvel, such as Catwoman, Wonder Woman, Batman, Angel (from the X-Men), Gwen Stacy and Spiderman, and there’s even a Hellboy too this too looks like a swell guide to kiddie-cosplay for coming shows.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Alison Brie and Betty Gilpin host in the Netflix comedy-drama“Glow” Season 1 TV Series, 2017. (Photo by Erica Parise/Netflix/Kobal/Rex Features/Shutterstock)

Actress Lily Collins is seen filming on set of series 2 of “Emily In Paris” on May 4, 2021 in Saint-Jean-Cap-Ferrat, France. (Photo by Arnold Jerocki/GC Images)

A crow attacks a passerby, in a series of crow attacks on residents at a neighbourhood in Singapore on February 14, 2023. (Photo by Leonard Phuah/Shin Min Daily/Singapore Press Holding Media Trust via Reuters)

Actor Kurt Tocci leaps for photographers at the premiere of the AMC series “The Walking Dead: The Ones Who Live”, Wednesday, February 7, 2024, in Los Angeles. (Photo by Chris Pizzello/AP Photo)

«Maraatack». Barrio Alto, Almería, Spain. Ribeira took the photographs for her Agony in the Garden series in her native Spain, between 2021 and 2023. (Photo by Lúa Ribeira/The Guardian)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.