Egrets stand on a field as an Egyptian farmer plants rice seedling in Egypt's fertile Delta in Tanta, Algharbeya governorate, 100 km from Cairo, Egypt, 22 June 2022. Egyptian Government reduced the planting of some crops that need a massive amount of irrigation water, while the government said it will reduce the rice agriculture area in Egypt, amid fear the Renaissance Dam project in Ethiopia could affect the amount of River Nile water reaching Egypt. (Photo by Khaled Elfiqi/EPA/EFE)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)

Cheetah Darcy enjoys her newly-developed Cheetah Territory that covers 10,000 square at Yorkshire Wildlife Park, near Doncaster, UK on Wednesday, August 16, 2023. Darcy, who is four-years-old, travelled from Ireland's Fota Wildlife Park to YWP last week where she will be joined by 13-year-old male Brooke who is on his way from the Bristol Zoo Project as a recommendation by the European Endangered Species Programme. (Photo by Danny Lawson/PA Images via Getty Images)

A political billboard by the artist Karen Fiorito satirising Donald Trump and Elon Musk in Phoenix, US on March 12, 2025. The artwork, titled Twitler and Putin’s Puppet Do Washington, depicts Musk as a puppet master controlling Trump. The artwork on the other side, Liar in Chief, references Project 2025, a conservative proposal to overhaul the federal government. (Photo by Eduardo Barraza/ZUMA Press Wire/Rex Features/Shutterstock)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

A policeman looks at a car crushed underneath a collapsed bridge in Belo Horizonte, Brazil, Thursday, July 3, 2014. The overpass under construction collapsed Thursday in the Brazilian World Cup host city. The incident took place on a main avenue, the expansion of which was part of the World Cup infrastructure plan but, like most urban mobility projects related to the Cup, was not finished on time for the event. (Photo by Victor R. Caivano/AP Photo)

Lebanese students dance during “The Big Dance” event in downtown Beirut, near the parliament May 9, 2015. About 1000 students from all over Lebanon gather and take part in a joint dance with the aim of encouraging people to get into dance and increase fitness levels. This initiative is part of the British Council's project, Connecting Classrooms which aims at building links between schools in the UK and Lebanon. (Photo by Aziz Taher/Reuters)

Automated guided vehicle robot “Ray” lifts up an Audi car during a pilot project at the parking area of the Audi plant in Ingolstadt, Germany, May 13, 2015. The robot has been designed to help make work more efficient and more comfortable for employees, some whom walk up to eight kilometres a day, while coordinating the finished cars for the subsequent train transportation. “Robot Ray” technology, currently being used at Dusseldorf International Airport in Germany, claims to be able to park 60 per cent more vehicles in one area compared with a human driver. (Photo by Michaela Rehle/Reuters)