A prong extending from a remote-controlled robot prototype approaches the mouth of a volunteer to extract a throat swab sample, as part of a self-funded project to assist physicians in running tests on suspected COVID-19 coronavirus patients in a bid to limit human exposure to disease-carriers, at a private hospital in Egypt's Nile delta city of Tanta, on March 20, 2021. (Photo by Khaled Desouki/AFP Photo)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)

Cheetah Darcy enjoys her newly-developed Cheetah Territory that covers 10,000 square at Yorkshire Wildlife Park, near Doncaster, UK on Wednesday, August 16, 2023. Darcy, who is four-years-old, travelled from Ireland's Fota Wildlife Park to YWP last week where she will be joined by 13-year-old male Brooke who is on his way from the Bristol Zoo Project as a recommendation by the European Endangered Species Programme. (Photo by Danny Lawson/PA Images via Getty Images)

A political billboard by the artist Karen Fiorito satirising Donald Trump and Elon Musk in Phoenix, US on March 12, 2025. The artwork, titled Twitler and Putin’s Puppet Do Washington, depicts Musk as a puppet master controlling Trump. The artwork on the other side, Liar in Chief, references Project 2025, a conservative proposal to overhaul the federal government. (Photo by Eduardo Barraza/ZUMA Press Wire/Rex Features/Shutterstock)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

Amy Rimmer, Research Engineer at Jaguar Land Rover, demonstrates the car manufacturer's Advanced Highway Assist in a Range Rover, which drives the vehicle, overtakes and can detect vehicles in the blind spot, during the first demonstrations of the UK Autodrive Project at HORIBA MIRA Proving Ground in Nuneaton, Warwickshire on Friday October 21, 2016. (Photo by Fabio De Paola/PA Wire)

Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)

HIV-positive 71-year-old Sylverio Hachiploa (R) talks with caregivers Glandwel Muleya (L) and Sister Abigail Mwaka Mazuba (C) in his thatched hut during a visit by a home-based care team in the village of Nedwmba, south of the Chikuni Mission in the south of Zambia February 23, 2015. The caregivers in the Jesuit-run home-based care project at the Chikuni Mission run a capacity-building and empowerment project at the household level, offering training and assistance in crop-growing and animal rearing, as well as offering companionship, pastoral care and monitoring of the antiretroviral treatment compliance of HIV-AIDS patients. (Photo by Darrin Zammit Lupi/Reuters)