Close Encounter of the Insect Kind: “Check out the awesome face on this praying mantis. I can't get over the mouth, it's like something from a science fiction movie. Of all photographic styles macro is definitely my favorite. I am constantly amazed, in every photo that I take, by the intricate level of detail that exists on even the smallest of creatures. It's a stark reminder that a very complex and infinitely beautiful world exists just beyond our human-sized level of perception. Photo taken in Donnybrook, Queensland, Australia” – Andrew Young. (Photo by Andrew Young/National Geographic Photo Contest via The Atlantic)

Photographer Patrick Halls likes to make the people he takes photos of uncomfortable in order to “capture a real emotion”. It is no wonder that for his latest project, he decided to stun his subjects with a taser.

Illustragram is a project created by brazilian Bruno Alves. In his drawings he incorporates real objects that interact with the characters, the results are adorable.

Custom artist Fena Cartes (aka Kartess) from Chile, and this is his project "gepeto" vintage tattooed dolls.

Spanish photographer Clément Celma project “My Little Planets,” takes an interactive and panoramic approach, exploring beautiful architecture from all angles

“When you think of Darrell Eager, you think of a journeyman photographer with taste and a talent for conceptual thinking. Darrell's great at working with vague ideas and concepting back and forth until they become real and concrete, appropriate for each project”.

An attendee dances at the start of the “Big Goth Dance Party” during the Porcupine Freedom Festival, or PorcFest, the Free State Project's annual summer gathering in Lancaster, NH on Wednesday, June 25, 2014. (Photo by Matthew Cavanaugh/The Washington Post)

Two robotic legged squad support system (LS3) machines by the Defense Advanced Research Project Agency follow a technician during a demonstration at Joint Base Myer-Henderson Hall, Virginia, on September 10, 2012. (U.S. Marine Corps photo by Sgt. Mallory S. VanderSchans via The Atlantic)