A Ukrainian girl plays with balloons with the colours of her country's flag aboard the Corsica Linea ferry “Mediterranee” in Marseille, southern France, on April 26, 2022. Anna and her children enjoy the sun on the deck of a ferry moored in Marseille: they are not vacationers but Ukrainian refugees who, on this boat, have finally found safety, “like in a village”, with 700 others compatriots. The “Mediterranean” usually serves Algeria, for the Corsica Linea. But it is now docked, at the Joliette ferry terminal in Marseille, with its unusual passengers. (Photo by Nicolas Tucat/AFP Photo)

A woman uses a plastic bad to protect her head amid snowfall in Beijing, China on December 14, 2023. (Photo by Tingshu Wang/Reuters)

A man poses as his acquaintance takes pictures on a street in the town of Vyborg, Russia on January 28, 2024. (Photo by Anton Vaganov/Reuters)

People take part in a rally in Jakarta, Indonesia, on March 8, 2024. (Photo by Ajeng Dinar Ulfiana/Reuters)

11th February 1974: A Maori wields his spear to terrifying effect, during the state visit of Queen Elizabeth II and Prince Philip to New Zealand.

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

Fans of American singer Taylor Swift, also known as a Swifties, shelter from the rain as they arrive for Swift's concert in Sydney on February 23, 2024. (Photo by David Gray/AFP Photo)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)