Revelers from Grande Rio Samba School perform during the night of the Carnival parade at the Sambadrome, in Rio de Janeiro, Brazil, on February 12, 2024. (Photo by Tita Barros/Reuters)

A reveller attends the “Amigos da Onça” street party on the second day of Carnival on February 10, 2024 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

A member of the Unidos do Viradouro samba school performs during the last night of the Carnival parade at the Marques de Sapucai Sambadrome in Rio de Janeiro, Brazil, on February 13, 2024. (Photo by Pablo Porciuncula/AFP Photo)

People walk on the street before the opening ceremony of the Witches and Wizards Convention, in the Paranapiacaba village, in Santo Andre, Brazil on May 16, 2025. (Photo by Jean Carniel/Reuters)

Sophia Weisberg of Brazil competes on the balance beam during the 53rd Artistic Gymnastics World Championships in Jakarta, Indonesia, October 21, 2025. (Photo by Dita Alangkara/AP Photo)

Boys pan for gold on a riverside at Iga Barriere, 25 km (15 miles) from Bunia, in the resource-rich Ituri region of eastern Congo February 16, 2009. Ituri is one of many areas of the country to have experienced bitter ethnic conflict between rival tribes in recent years. Massacres have left tens of thousands dead. It is this fighting that led U.S. authorities to take the unprecedented step of naming Congo in section 1502 of the Dodd-Frank financial regulation act, which says U.S.-listed companies that source gold, tungsten, tantalum and tin from Congo or its neighbours must assure the U.S. stock exchange regulator that their business is not helping fund conflict. (Photo by Finbarr O'Reilly/Reuters)

Jesus Christ The Redeemer is seen during sunrise in Rio de Janeiro, Brazil August 2, 2016. Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by Polish-French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot. The face was created by the Romanian artist Gheorghe Leonida1. (Photo by Kai Pfaffenbach/Reuters)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)