A female soccer player controls a ball during a training session at the Golab Trust Sport Complex in Kabul March 10, 2014. Despite decades of conflict in Afghanistan, and several recent militant attacks, the country's capital Kabul is home to a vibrant youth scene of musicians, artists, athletes and activists. Shopping malls and cafes stand in the city, which is nonetheless beset by infrastructure problems and instability. (Photo by Morteza Nikoubazl/Reuters)

Monkeys eat fruits during the Monkey Buffet Festival, near the Phra Prang Sam Yot temple in Lopburi province, north of Bangkok, Thailand November 27, 2016. (Photo by Chaiwat Subprasom/Reuters)

Myanmar civil security personnel escort an eight-metre tall wicker puppet from the French cultural group L'Homme Debout during a parade in Yangon city's Dala township on December 2, 2016 to mark the opening of the Mingalabar Festival. (Photo by Romeo Gacad/AFP Photo)

Commuters use a plastic sheet to take shelter from rain as they ride through a waterlogged road in Ahmedabad, India, July 27, 2016. (Photo by Amit Dave/Reuters)

A crocodile at a zoo in the southern Taiwan city of Kaohsiung holds the forearm of a zoo veterinarian in its teeth, April 2007. Surgeons in Taiwan have reattached a vet's arm, after it was bitten off by a crocodile as he tried to give it an anaesthetic injection. His attacker is one of a pair of Nile crocodiles kept at Shoushan zoo. Nile crocodiles are known to be man-eaters, but are also listed as an endangered species. (Photo by Frank Lin/Reuters)

Dancers perform during the carnival in Encarnacion, Paraguay on February 26, 2017. Encarnacion is located 375 km south of Asuncion, describes itself as the “Carnival Capital of Paraguay”. (Photo by Norberto Duarte/AFP Photo)

A man looks inside an overturned truck after an accident along the road between Nouahibou and Nouakchott, Mauritania December 3, 2009. (Photo by Rafael Marchante/Reuters)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)