Sculptures entitled “The Rising Tide” by British sculptor Jason deCaires Taylor are seen beside the River Thames in front of the Houses of Parliament and the London Eye ferris wheel in London, September 3, 2015. The representations of four horses and riders are fully visible at low tide but become immersed underwater twice a day as the Thames rises to reach full tide. The installation will be on display throughout September as part of the annual Totally Thames festival. (Photo by Toby Melville/Reuters)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)

A pro-Russian rebel shows his t-shirt depicting Russian President Vladimir Putin at a checkpoint in the village of Chornukhyne near the town of Debaltseve, north-east from Donetsk, March 12, 2015. (Photo by Marko Djurica/Reuters)

Dancers from the British theater company Motionhouse perform a show with excavators entitled “Traction” on the Prado beach in Marseille, France, on May 10, 2013. (Photo by Boris Horvat/AFP Photo)

A man sits on his cart which he attached with National League for Democracy (NLD) party flags along a flooded street in Yangon September 30, 2015. Myanmar will hold a general election on November 8. (Photo by Soe Zeya Tun/Reuters)

A reveller of the Salgueiro samba school performs during the second night of Rio's Carnival at the Sambadrome in Rio de Janeiro, Brazil, on February 13, 2018. (Photo by Mauro Pimentel/AFP Photo)

Revellers out in Blackpool, Lancashire, United Kingdom on New Year's Eve, December 31, 2018. (Photo by Lorne Campbell/Guzelian)