Los Angeles based MizEnScen is obsessed with doing this. This very cryptic artist is a digital collage/illustration artist who cuts and pastes what looks like imagery from old, forgotten academic texts. She takes them and layers them atop of each other to make sometimes silly portraits to beautifully textured florals growing out of bones.

Meeting of Hawaii artist, John Al Hogue. Known as the "Modern Master of Light", he is one of the best selling nature artists in Hawaii, Florida, and Japan. Al uses light and detailed brush strokes to allow you, the viewer, to experience the feeling of stepping into his paintings. His artwork features seascapes, cityscapes, moonscapes, sunsets, wildlife and seal life subjects.

The Bricksy series has just been released on the artist’s website with accompanying reference thumbnails of the original Banksy work. As the site says, “Bricksy is an edgy, underground LEGO street artist. He is rumored to have inspired Banksy’s iconic works, or is that the other way around?” Classic images such as Kissing Coppers, Naked Man and Balloon Girl all get a 3D reimagining in LEGO form. Image: Brick Cowboy.

Roger Moore fights with Richard Kiel, as Jaws, who bites through a board in a scene from the film “The Spy Who Loved Me”, 1977. (Photo by United Artist/Getty Images)

Waxworks artists retouch the wax figures at the unveiling of Little Mix waxwork figures at Madame Tussauds, in London, Britain, July 28, 2021. (Photo by Aaron Chown/PA Images via Getty Images)

A waxworks artist retouches one of the wax figures at the unveiling of Little Mix waxwork figures at Madame Tussauds, in London, Britain, July 28, 2021. (Photo by Peter Nicholls/Reuters)

Indian artist, Ravi Kali (32), dressed as Hindu goddess Kali, participates in a religious procession for the Hindu festival, Ganesh Chaturthi in New Delhi on September 24, 2015. (Photo by Chandan Khanna/AFP Photo)

The Sculpture Bank (2017) by Chinese artist Mu Boyan is exhibited along the Bondi to Tamarama Coastal walk as part of the Sculpture by the Sea exhibition in Sydney, Australia, October 18, 2018. (Photo by Charlotte Curd/The Guardian)