Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)

A 16-foot- ( almost 5 meters ) tall hand sculpture named Quasi stands perched on its fingertips atop the roof of an art gallery in Wellington, New Zealand, Wednesday, October 30, 2024. (Photo by Charlotte Graham-McLay/AP Photo)

A person reacts on the “Swiftie Steps” ahead of a Taylor Swift concert, following the cancellation of three Taylor Swift concerts in Vienna because of a planned attack, at Wembley Stadium in London, Britain on August 15, 2024. (Photo by Toby Melville/Reuters)

The Soulton Long Barrow in Shropshire, UK on January 5, 2025. The main chamber is aligned so that at winter solstice and for a few weeks after, the sun sets directly through the stained glass door, resulting in a beautifuil rainbow of light to flood through the chamber. (Photo by Andrew Fusek Peters/South West News Service)

“Still” also known as the “Mirror Man”, created by artist Rob Mulholland which symbolises the physical and spiritual relationship between humans and the natural world, has returned to Loch Earn in St. Fillans on May 9, 2025 after being removed in 2017 due to storm damage. (Photo by Lesley Martin)

A light installation called “Run Beyond” by Angelo Bonello is seen on the launch day of the Light Festival at Battersea Power station on January 13, 2022 in London, England. Running from January 13 to February 27, the curated collection of installations includes work by six artists, with two displays making their UK exhibition debut. (Photo by Leon Neal/Getty Images)

The graffiti against the war in Ukraine of the street artist ChemiS in Prague, Czech Republic, March 19, 2022. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)