Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Indian ivory furniture legs in the shape of a goddess from the first century AD are displayed in the 'Afghanistan Crossroads of the Ancient World' exhibition at The British Museum on March 1, 2011 in London, England. Displaying treasures that were in great danger during the years of civil war and Taliban rule, these surviving artifacts reveal Afghanistan's ancient culture, its fragility and its remarkable place in world history. The exhibition opens to the public on March 3 and runs until July 3, 2011. (Photo by Peter Macdiarmid/Getty Images). LONDON, ENGLAND – MARCH 01

“The Waterloo Cup was a coursing event. The three day event was run annually at Great Altcar in Lancashire, England from 1836 to 2005 and it used to attract tens of thousands of spectators to watch and gamble on the coursing matches. It was founded by William Philip Molyneux, 2nd Earl of Sefton, and, originally, was supported by his patronage”. – Wikipedia

Photo: A Greyhound races after Hare at the last Waterloo Cup Hare coursing event, February 14, 2005, near Liverpool, England. (Photo by Christopher Furlong/Getty Images)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

Leading contemporary artist Remi LaBarre describes his evocative oils as “painted songs”. Influenced by John Singer Sargent, his work reflects the lighting of hushed environments and presents poetic narratives of life after dark in bars and clubs. Remi's acclaimed artwork has won him a formidable reputation in Europe and North America. His premier UK collection features a breathtaking quartet of musical portraits which represent an atmospheric homage to his great love of jazz.

The Grand National springs to mind as the yearly highlight of the “sport of kings” – thoroughbred steeds and their brave jockeys triumphing (or failing) over gruelling courses and high-fenced adversity. And now steeplechase enthusiasts can add another event to the annuls of great sporting occasions, namely the Stuttgart rabbit show jumping. Here: Rabbit showjumping at an animal fair in Stuttgart, Germany, on November 16, 2014. (Photo by Action Press/Rex Features)