North Korean women soldiers take part in a military parade Saturday, April 15, 2017, in Pyongyang, North Korea, to celebrate the 105th birth anniversary of Kim Il Sung, the country's late founder and grandfather of current ruler Kim Jong Un. (Photo by Wong Maye-E/AP Photo)

North Korean soldiers participate in a mass military parade at Kim Il-Sung square in Pyongyang on October 10, 2015. North Korea was marking the 70th anniversary of its ruling Workers' Party. (Photo by Ed Jones/AFP Photo)

This picture taken on September 9, 2021 and released from North Korea's official Korean Central News Agency (KCNA) shows a parade of “paramilitary and public security forces” to celebrate the 73rd founding anniversary of North Korea at Kim Il Sung Square in Pyongyang. (Photo by KCNA via KNS/AFP Photo/Stringer)

Is it worth eating live beings? This is a philosophical question: the history of our species and the ontology of being are saying that it's more likely yes, and on the other hand your mind and empathy are more likely to be against this idea. Or at least like in this Korean clip – eat, but with tears in your eyes.

Kamo Mphela, a South African dancer and singer performs Amapiano, a South African musical export that has crossed borders and cultural barriers, reaching as far as Japan, during a music concert in Pretoria, South Africa, July 22, 2022. (Photo by Shafiek Tassiem/Reuters)

North Korean girls in similar bathing suits stand under a shower at the Songdowon International Children's Camp, Tuesday, July 29, 2014, in Wonsan, North Korea. The camp, which has been operating for nearly 30 years, was originally intended mainly to deepen relations with friendly countries in the Communist or non-aligned world. But officials say they are willing to accept youth from anywhere – even the United States. (Photo by Wong Maye-E/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)