French street artist OakOak produces creative works of art that use the characteristics of a location such as a light post, road sign and even a crack in the wall as inspiration but also as key elements in the work. (Photo by OakOak)

The giant mural titled “Under the Hand” by Maclaim Crew is visible on a building facade in Kreuzberg district on June 26, 2014 in Berlin, Germany. Berlin, with its long tradition of counter-culture, has become a mecca for street art of all dimensions and messages. (Photo by Sean Gallup/Getty Images)

Mark Wagner, the collage artist, challenges viewers to examine their relationship with money and the capitalist society in which we live. Photo: “Way of the Dinosaur”, cut one-dollar bills. (Photo by Mark Wagner)

A young woman wearing the summer Kimono, “Yukata” watches the goldfishes during the press preview of “Eco Edo Nihombashi Art Aquarium 2014” exhibition in Tokyo on July 10, 2014. The two-month-long goldfish exhibition will starts July 11. (Photo by Toshifumi Kitamura/AFP Photo)

A large sand sculpture is seen at the site of Yokohama Sand Art Exhibition – Culture City of East Asia 2014 on July 16, 2014 in Yokohama, Japan. Producer and sand sculptor Katsuhiko Chaen invited artists from around the world including South Korea and China, to recreate the World Heritage and historical buildings in China, Japan and South Korea. The exhibition will be open from July 19 to November 3, 2014. (Photo by Chris McGrath/Getty Images)

In this July 10, 2014 photo, Chris Minore, of Orange, Conn., performs the under chop technique at the Adirondack Woodsmen's School at Paul Smith's College in Paul Smiths, N.Y. Eighteen young students in matching gray sports shirts took part recently in a weeklong crash course on old-school lumberjack skills such as sawing, chopping, ax throwing, log boom running and pole climbing. (Photo by Mike Groll/AP Photo)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.