Women perform in the traditional “Morenada” dance during Carnival, in Oruro, Bolivia, Saturday, March 2, 2019. The unique festival features spectacular folk dances, extravagant costumes, beautiful crafts, lively music, and up to 20 hours of continuous partying with lots of tourists, drawing crowds of up people annually. (Photo by Juan Karita/AP Photo)

Traditional sculptures by Chin tribe in, Mindat, Myanmar, November 2016. In the mountains of Myanmar lives a tribe where the women have taken a unique approach to their beauty regime by decorating their faces with tattoos. The Chin people in the remote mountain town of Mindat, have been marking women in the area with intricate face tattoos for centuries. (Photo by Teh Han Lin/Barcroft Images)

Li Tingting, second from right, laughs as she is lifted off the ground by her wife Teresa Xu, right, outside of a beauty salon where the two were preparing for their wedding as clerks from an adjacent shop look on in Beijing, Thursday, July 2, 2015. Li, a 25-year-old prominent women's rights activist who was released from detention in April, held the wedding ceremony with her partner Teresa on Thursday and announced their marriage in an effort to push for LGBT (lesbian, gay, bisexual, and transgender) rights in China. (Photo by Mark Schiefelbein/AP Photo)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

For over 14 years, photographer Dane Shitagi has been photographing beautiful, strong, and powerful women dancing all over New York City. The juxtaposition of the incredible strength of the dancers’ bodies plus a seemingly devoid urban landscape creates a captivating visual experience. When social media emerged, Shitagi took advantage, creating pages for his photo series on Facebook, Instagram, Tumblr, Pinterest, and Twitter. Currently, it is the largest dance photography page on Facebook with 850,000 “likes” and its Instagram account has about 500,000 followers. (Photo by Dane Shitagi)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

“YagYang”. The Apatani are tribal people living in north east of India in the region of Arunachal Pradesh. Tattooing and stuffing of large nose plugs is the particularity of these women. YagYang 75 years old, her husband passed away few months ago and she feels very alone, during my visit I was very fond of this woman and I wanted to spend some more time with her, so I asked her which was her favorite dish. The next day i returned with the fresh fish, as she mentioned, and when she saw me she was very happy and welcomed me with a big smile. Photo location: India. (Photo and caption by Passarini Mattia/National Geographic Photo Contest)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)