Barrier tape is tied around 15-month-old Shivani's ankle to prevent her from running away, while her mother Sarta Kalara works at a construction site nearby, in Ahmedabad, India, April 19, 2016. Kalara says she has no option but to tether her daughter Shivani to a stone despite her crying, while she and her husband work for 250 rupees ($3.8) each a shift digging holes for electricity cables in the city of Ahmedabad. There are about 40 million construction workers in India, at least one in five of them women, and the majority poor migrants who shift from site to site, building infrastructure for India's booming cities. Across the country it is not uncommon to see young children rolling in the sand and mud as their parents carry bricks or dig for new roads or luxury houses. (Photo by Amit Dave/Reuters)

A mosaic artwork, copied from an original painting, is pictured in a workshop in Kafranbel town in the Idlib governorate January 17, 2015. The mosaic workshop with 30 workers, manufactures artistic and revolutionary mosaics in Kafranbel. Each mosaic artwork takes 5 to 10 days to complete. The artists exhibit their artwork in local and international exhibitions, and have a scheduled exhibition this month about the “Syrian Revolution” in Turkey. (Photo by Khalil Ashawi/Reuters)

A racehorse is hoisted up before its operation at Veliefendi equine hospital in Istanbul March 3, 2015. A state-of-the-art hospital for hundreds of horses run by the Jockey Club of Turkey at Istanbul's Veliefendi racecourse is the country's oldest and biggest. Grooms and trainers at the equine clinic work with vets and nurses while owners hope their prize runners, often worth hundreds of thousands of dollars, will recover quickly and then run faster still. (Photo by Murad Sezer/Reuters)

A member of the 324 Squadron during the Anzac Day dawn service at Coogee Beach in Sydney, Australia on 23 April 2019. Anzac Day, held annually on 25 April, is a national day of remembrance across Australia and New Zealand, which commemorates the people who lost their lives or served in wars and conflicts. The day coincides with the first landing of the Anzacs at Gallipoli, Turkey, in World War One. (Photo by Steven Saphore/Australian Associated Press)

Tip turkey, dumpster chook, rubbish raptor – the Australian white ibis goes by many unflattering names. But it is a true urban success story, scavenging to survive in cities across Australia as wetlands have been lost. Wildlife photographer Rick Stevens captured them in Sydney. Here: Of all the species affected by river regulation in Australia, the ibis is one of the few that has changed its behaviour and moved to coastal cities. (Photo by Rick Stevens/The Guardian)

These goats threw caution to the wind and scaled this Argan tree right to the very top, even balancing on the most unsturdy of branches. It looks like a bit of a baa-lancing act, but the goats hooves are perfectly adapted to climbing the trees, where they graze on the Argan fruit. Amateur photographer Burak Senbak, 51, took these photos whilst travelling through Morocco in July 2016. Burak is originally from Turkey and works as a mechanical engineer, but has pursued his passion for photography for 10 years. Intrigued by the sight of goats in a tree, Burak couldnt resist the opportunity to take some photos, and said the goats proved a perfect subject. (Photo by Burak Senbak/Caters News)

Aisha, 15, (L) (who asked to withhold her last name), a Syrian refugee from Raqqa, waits with a fellow refugee while harvesting cannabis in the Bekaa valley, Lebanon October 19, 2015. Syrian refugees work to harvest and process spiky-leafed cannabis plants in neighbouring Lebanon’s Bekaa Valley. Often farmers of cotton and wheat back home in Raqqa province – now the de facto capital of Islamic State – the conflict in Syria drove them to seek safety in a region where Syrian migrant workers used to spend a few months a year before returning home. (Photo by Alia Haju/Reuters)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)