“Pivo”, Nissan's concept car is introduced at Nissan's Gallery on September 30, 2005 in Tokyo, Japan. “Pivo” is an electric car in which the direction of the cabin moves 180 degrees, therefore, when making a turn in a different direction, it simply needs to move the cabin without moving the car. (Photo by Koichi Kamoshida/Getty Images)
In this September 30, 2017 photo, people perform “transvestite target practice” to protest the killings of transvestite prostitutes during the annual LGBQT march in Asuncion, Paraguay. Advocacy groups fear the stigma and attacks against the LGBQT community could get worse now that the country's education minister has banned classes about sexual diversity in schools and even volunteered to help burn all books related to the subject. (Photo by Jorge Saenz/AP Photo)
Participants of the the goth festival “Wave Gothic Festival” walk in fancy costumes along the festival area in Leipzig, central Germany, Saturday, May 23, 2015. About 20,000 members of the scene are expected to attend one of the world's largest gothic and “dark” culture festivals until May 25, 2015. (Photo by Jens Meyer/AP Photo)
Miners pulling up lazy tourists to the rim of Kawah Ijen (Ijen Volcano), East Java, Indonesia on September 21, 2017. They will earn as much as they would bring down a load of sulfur. Nomadic Explorer, Cultural Lifestyle Photographer Claudio Sieber captured striking images of miners working at Ijen volcanic range in East Java, Indonesia. The sulphur miners risk their lives daily as they climb the active volcano carrying heavy loads, which they sell to sugar refineries. (Photo by Claudio Sieber/Barcroft Images)
People visit the autonomous urban concept car Renault EZ-GO during the first press day of the Geneva International Motor Show on March 6, 2018 in Geneva. The show opens to the public on March 8 and runs through March 18. (Photo by Fabrice Coffrini/AFP Photo)
“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.