A man transports a car on a horse cart to a repair shop along a street in Amritsar on May 6, 2021. (Photo by Narinder Nanu/AFP Photo)

A woman reacts as she inspects damages at Al Shifa Hospital after Israeli forces withdrew from the hospital and the area around it following a two-week operation, amid the ongoing conflict between Israel and Hamas, in Gaza City on April 1, 2024. (Photo by Dawoud Abu Alkas/Reuters)

An Indian policeman wearing a virus themed helmet rides on a horse during an awareness rally aimed at preventing the spread of new coronavirus in Hyderabad, India, Thursday, April 2, 2020. (Photo by Mahesh Kumar A./AP Photo)

A firefighter uses a saw to open a metal gate while fighting a fire in a convenience store and residence during clashes after the funeral of Freddie Gray in Baltimore, Maryland in the early morning hours of April 28, 2015. (Photo by Eric Thayer/Reuters)

For the Torajan people of Indonesia, death is part of a spiritual journey: families keep the mummified remains of their deceased relatives in their homes for years – and traditionally invite them to join for lunch on a daily basis – before they are eventually buried. Here: Todeng died in 2009. A young relative of his, Sam, lights him a cigarette and changes his glasses. (Photo by Claudio Sieber Photography/The Guardian)

In this Thursday, April 11, 2013 photo, an Afghan woman peers through the the eye slit of her burqa as she waits to try on a new burqa in shop in the old town of Kabul, Afghanistan. (Photo by Anja Niedringhaus/AP Photo)

The interior of a house is damaged after an earthquake in Imphal, capital of the northeastern Indian state of Manipur, Monday, January 4, 2016. Five deaths have been reported from in and around Imphal due to falling debris. Imphal has a population of 270,000, and people were jolted from their sleep and ran out of their homes in panic. (Photo by Bullu Raj/AP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)