A military instructor helps a boy to shoot a rifle with blanks at a weapon exhibition during a military show in St.Petersburg, Russia, Sunday, January 17, 2016. (Photo by Dmitry Lovetsky/AP Photo)

Teacher Mahajera Armani and her class of girls pose for a picture at their study open area, founded by Bangladesh Rural Advancement Committee (BRAC), outside Jalalabad city, Afghanistan September 19, 2015. (Photo by Reuters/Parwiz)

A Sri Lankan activist, who wrapped himself with fire crackers, walks in Colombo on July 23, 2014 to symbolically demonstrate against people burned during Anti-Tamil riots on the island thirty-one years ago. Official accounts placed the death toll at 400 while human rights activists put the toll at thousands. (Photo by Ishara S.Kodikara/AFP Photo)

The anthropomorphic robot named hitchBOT sits on the shoulder of Highway 102 to begin its 6000 kilometer cross country journey outside of Halifax, Nova Scotia, July 27, 2014. The hitch hiking robot is part of a social experiment to see if drivers will pick up and drop off the robot in one piece to an art gallery in Victoria, British Columbia. (Photo by Paul Darrow/Reuters)

A Christian pilgrim is baptised by a priest in the muddy water of the Jordan River at the Kasser-Al-Yahud baptismal site near the West Bank city of Jericho, on April 11, 2017. According to the gospels Jesus Christ was baptised in the waters of the Jordan River by John the Baptist. (Photo by Gali Tibbon/AFP Photo)

Gold medalists Kikkan Randall and Jessica Diggins of the United States dancing during the medal ceremony for Cross-Country Skiing – Ladies' Team Sprint Free on day 13 of the PyeongChang 2018 Winter Olympic Games at Medal Plaza on February 22, 2018 in Pyeongchang-gun, South Korea. (Photo by Eric Gaillard/Reuters)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

A masked reveller poses in San Marco Piazza during the Venice Carnival, January 30, 2016. (Photo by Alessandro Bianchi/Reuters)