“The Boeing X-45 unmanned combat air vehicle is a concept demonstrator for a next generation of completely autonomous military aircraft, developed by Boeing's Phantom Works. Manufactured by Boeing Integrated Defense Systems, the X-45 was a part of DARPA's J-UCAS project”. – Wikipedia

Photo: Two X-45A Unmanned Combat Air Vehicles (UCAV) are shown to members of the news media July 11, 2002 at Edwards Air Force Base, California. The X-45A, developed by The Defense Advanced Research Projects Agency and the Boeing Company, is the first unmanned system designed from inception for combat missions. (Photo by David McNew/Getty Images)

Chinese security stands near a Long March 2F rocket carrying Tiangong-1, China's first unmanned space module, stands at the Jiuquan Satellite Launch Center on September 28, 2011 in Jiuquan, Gansu Province of China. Tiangong-1,a small unmanned space lab, will be launched at 21:19 (Beijing time) on September 29, 2011, and will attempt a docking procedure with a Shenzhou 8 spacecraft later in the mission. (Photo by Lintao Zhang/Getty Images)

In this artist's impression supplied by the ESO (European Southern Observatory) on April 25, 2007, the planetary system around the red dwarf, Gliese 581, is pictured showing what astronomers believe is the most earth like planet found outside our solar system to date. Using the ESO 3.6-m telescope in Chile, astronomers have uncovered the planet which could have water running on its surface. The planet orbits the faint star Gliese 581, which is 20.5 light-years away in the constellation Libra. (Photo by ESO via Getty Images)

The antennas of the European Southern Observatory's Atacama Large Millimeter/Submillimeter Array, also known as ALMA, are set against the splendor of the Milky Way in this picture by Babak Tafreshi. Construction of the full ALMA array is due to be completed in Chile's Atacama Desert in 2013, but the facility is already making scientific observations with a partial array of antennas. (Photo by ESO/B. Tafreshi/TWAN)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Beneath the Swedish capital lies an intricate web of underground train lines. More than 90 of the 100 stations in the 110km tunnel system, sometimes referred to as “the world’s longest art gallery”, have been decorated with paintings, installations, mosaics and sculptures by 150 artists since the 1950s. After spending a couple of weeks exploring arctic Norway and Sweden, London-based travel photographer Conor MacNeill headed underground to capture images of the metro stations. Here: A rainbow arcs over a girl on the platform of Stadion station. (Photo by Conor MacNeill/The Observer)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)