A diving competitor during a practice session at Tokyo Aquatics Centre ahead of the Tokyo 2020 Olympic Games in Japan on Wednesday, July 21, 2021. (Photo by Stefan Wermuth/Reuters)

Portugal's Patricia Mamona competes in the women's triple jump final during the Tokyo 2020 Olympic Games at the Olympic Stadium in Tokyo on August 1, 2021. (Photo by Dylan Martinez/Reuters)

Team members pose during the closing ceremony of the Tokyo 2020 Olympic Games, on August 8, 2021 at the Olympic Stadium in Tokyo. (Photo by Dan Mullan/Reuters)

An Oakland Raiders cheerleader performs during the second half of an NFL football game against the Pittsburgh Steelers in Oakland, Calif., Sunday, October 27, 2013. (Photo by Marcio Jose Sanchez/AP Photo)

A participant plays a game on her phone as others watch during a break in a traditional Chinese opera competition at the National Academy of Chinese Theatre Arts in Beijing, China, November 26, 2016. (Photo by Thomas Peter/Reuters)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.