Online hostess Xianggong (L) and other hostesses check their pictures as they gather around the photographer while taking part in a football-themed photoshoot at a photography studio in Beijing March 4, 2015. In China's online hostessing world, men find virtual company and the women can find riches. Xianggong is one of more than 10,000 hostesses on the internet site bobo.com, a live broadcasting web platform where anyone can record themselves singing, playing piano, dancing or just chatting. (Photo by Jason Lee/Reuters)

A new book published by the UK Natural History Museum showcases some of the most memorable underwater photographs taken over the last few decades in its annual wildlife photographer of the year competition. Here: Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)

A man stands in front of a poster created by artist Tomoko Konoike, one of 20 posters officially selected for the Tokyo Olympics and Paralympics, at the Museum of Contemporary Art Tokyo Monday, January 6, 2020. The official posters are out for this year's Tokyo Olympics and Paralympics. The 20 posters have been created by 19 artists in fields ranging from painting, graphic design, and photography. Calligraphy and Japanese manga are also represented. (Photo by Jae C. Hong/AP Photo)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

A girl, standing before her tea shop, which is completely ruined by sea water in Frazerganj, Sundarbans, India on August 18, 2020. After Cyclone Aila struck the Sundarbans in 2009, it became clear that frequent cyclonic events will turn the residents of Sundarbans into climate refugees. Within May 5, 2019 – May 25, 2021, Sundarbans faced cyclones- Fani, Bulbul, Amphan & Yaas – each devastating enough to justify the fear of mass displacement. (Photo by Supratim Bhattacharjee/Mangrove Photography Awards)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Mug shot of De Gracy (sic) and Edward Dalton. Details unknown. Central Police Station, Sydney, around 1920. (Photo by NSW Police Forensic Photography Archive, Justice & Police Museum, Histiric Houses Trust of NSW)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.