Typhoon Yolanda – also known as Haiyan – struck the central part of the country November 8, 2013, leaving at least 6,300 people dead and over four million displaced. A month after Typhoon Haiyan, the United Nations Population Fund estimates that 5,000 women were subjected to sеxual violence. A study by the Health and Human Rights online publication shows the majority of young girls and women in Manila’s sеx industry come from poverty-stricken areas – such as Leyte, Samar, Cebu and southern Mindanao – and enter trafficking through force, deception, economic desperation and psychological manipulation. (Photo by Hannah Reyes Morales/The Washington Post)

A man holds a cow at the cattle market in Maiduguri, Nigeria, March 9, 2016. A Nigerian government push to strangle the Boko Haram insurgency has shut down the cattle trade that sustained the city of Maiduguri, leaving many residents with no livelihood, including many of the two million people displaced by the war. In recent months the army has taken back much of the territory lost to the jihadists during the five-year insurgency. (Photo by Afolabi Sotunde/Reuters)

Women wearing traditional hats, known as a non la, sell fruits in Hoi An, Vietnam April 4, 2016. The non la hats are made of readily available materials such as palm leaves, tree bark and bamboo and are visible everywhere in the city, a UNESCO World Heritage site. Hoi An's history as a busy trading port is evident throughout its architecture, a mix of eras and styles, with traditional wooden Vietnamese houses, Chinese temples and French colonial buildings. (Photo by Jorge Silva/Reuters)

Women cover their heads with pans as they walk in a light rain brought by Hurricane Matthew in Port-au-Prince, Haiti, Tuesday, October 4, 2016. Matthew slammed into Haiti's southwestern tip with howling, 145 mph winds Tuesday, tearing off roofs in the poor and largely rural area, uprooting trees and leaving rivers bloated and choked with debris. (Photo by Dieu Nalio Chery/AP Photo)

A deserted alley in the ghost town of Apice, in the province of Benevento, southern Italy, 22 November 2016. After the Irpinia earthquake that took place in southern Italy on 23 November 1980, leaving at least 2,500 people dead, 8,000 injured and 250,000 homeless, the town in the heart of the Sannio area was evacuated and its residents moved into what has become the new Apice. Only recently the narrow streets and the tragically abandoned buildings have started, slowly, to repopulate. (Photo by Cesare Abbate/EPA)

Circus performer and trampolinist Max Calaf Seve performs at a preview for NoFit State Circus new summer show at the Eden Project on March 29, 2012 in St Austell, England. This will be the second time that the NoFit Circus has performed in the world famous biomes of the Eden Project. The production will start on July 28 and run until September 2 before leaving Cornwall for a global tour. (Photo by Matt Cardy/Getty Images)

“MS Herald of Free Enterprise was a roll-on roll-off (RORO) car and passenger ferry owned by Townsend Thoresen. She was one of three ships commissioned by the company to operate on the Dover–Calais route across the English Channel. The ferry capsized on the night of 6 March 1987, moments after leaving the Belgian port of Zeebrugge, killing 193 passengers and crew. This was the deadliest maritime disaster involving a British ship in peacetime since the sinking of the Iolaire in 1919”. – Wikipedia

Photo: The wreck of the Herald of Free Enterprise, which capsized near Zeebrugge on the 6th of March 1987. (Photo by Hulton Archive/Getty Images). 1987

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.