Goats climb on students during a yoga class with eight students and five goats at Jenness Farm in Nottingham, New Hampshire, U.S. on May 18, 2017. Tucked away in a wooded corner of southern New Hampshire, Jenness Farm is the latest small U.S. agricultural operation to cash in on the social media-driven trend, in which yoga enthusiasts practice moves like the cat pose and bridge pose while goats climb around and sometimes on them. (Photo by Brian Snyder/Reuters)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).

Frander Arroyo, select wings of butterflies at Blue Morpho Butterfly House in Alajuela, Costa Rica, March 10, 2016. According to Arroyo, owner of Blue Morpho Butterfly House, he collects dead butterflies from his garden to mount as handicraft like earrings, necklaces, paintings and rings for export with prices ranging from $12 to $16 a piece. (Photo by Juan Carlos Ulate/Reuters)

In this March 29, 2016 photo, a man shoulders a coffin with the remains of a loved one who was slain more than two decades ago by Shining Path rebels, as he walks to the cemetery for a group burial service, in Ccano, a village in the Huanta area of Ayachcuo department, Peru. Presidential candidate Keiko Fujimori's base of support is in places like Ccano, where promises to build roads, clinics and schools recall her agronomist father’s own legacy of delivering aid to the long-overlooked countryside. (Photo by Rodrigo Abd/AP Photo)

Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)

In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)