Amateur contestants (L-R) Phil Bailey, John Hindle and Eren Emir pose in telephone booths during the annual European Elvis Tribute Artist Contest and Convention in Birmingham, central England January 2, 2015. (Photo by Darren Staples/Reuters)

Elementary school children play outside their classrooms as mount Sinabung volcano spews thick volcanic ash in the background on February 10, 2017 in Karo, Indonesia. Mount Sinabung is one of the most active volcanoes in Indonesia and last erupted in May 2016, killing seven people. (Photo by Albert Damanik/Barcroft Images)

Women take part in Glowork exhibition in Riyadh, Saudi Arabia on September 28, 2017. (Photo by Faisal Al Nasser/Reuters)

National Geographic photographer Steve Winter has spent most of his adult life shooting wild cats. Photo: A 14-month-old cub, cooling off in a pond, is riveted by a deer that appeared near the shore. Tigers are powerful swimmers; they can easily cross rivers four to five miles wide and have been known to swim distances of up to 18 miles. (Photo by Steve Winter/National Geographic)

Bonbibi, Treehouse Point, Fall City, WA. The Bonbibi is balanced on two steel yokes. The yokes spread out the load and allow for tree growth and movement in the wind. A small deck hangs from the beams below and uses the treehouse itself to shelter guests. (Photo by Pete Nelson)

An Egyptian boy rides his donkey in front of a cafeteria with a picture of former Barcelona's forward player Lionel Messi at a village, near Giza, on the outskirts of Cairo, Egypt, February 7, 2022. (Photo by Amr Abdallah Dalsh/Reuters)

Paisley, a standard poodle, is pictured at Intergroom in N.J., March 2014. Intergroom is one of the largest cats and dogs grooming conferences in America. (Photo by Paul Nathan/Rex Features)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)