Hannah Prock, of Austria, prepares to start the luge women's singles run 1 at the 2022 Winter Olympics, Monday, February 7, 2022, in the Yanqing district of Beijing. (Photo by Thomas Peter/Reuters)

Alex Lual (R) in action against Trent Girdham (L) during the undercard bouts ahead of the WBO Asia Pacific Super Welterweight Title Bout between Tim Tszyu and Takeshi Inoue at Qudos Bank Arena, in Sydney, New South Wales, Australia, 17 November 2021. (Photo by Dan Himbrechts/EPA/EFE)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

A derelict farm house adorns the horizon as it sits in a field in the Lancashire Countryside on January 26, 2012 in Burscough, England. (Photo by Christopher Furlong/Getty Images)

One part of “Celestrial Texts – Heavenly Tweets” by Laine Hogarty is seen as part of the “Hidden” annual sculpture exhibition at Rookwood Cemetery on September 15, 2014 in Sydney, Australia. Located in the suburb or Rookwood in Western Sydney Rookwood cemetery is the largest necropolis in the southern hemisphere. The Annual “Hidden” exhibition features works by local artists. (Photo by Mark Kolbe/Getty Images)

A view of the fireworks during the Edge at Hudson Yard's 4th of July Celebration at Edge at Hudson Yards on July 04, 2021 in New York City. (Photo by Roy Rochlin/Getty Images for Edge at Hudson Yards)

Kaci Nuyen 8, holds a “Kiddizoom Twist” camera during a Hamleys Christmas toy photocall at Hamleys Toy store on June 28, 2011 in London, England. The famous toy store unveiled today their “must have” toys for Christmas 2011. (Photo by Dan Kitwood/Getty Images)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)