In this Tuesday, December 20, 2016 photo, Mohammad Ramzan, right, reacts while talking to The Associated Press with his young bride Saima in Jampur, Pakistan. Saima was given as a bride to the older man by her father so he could marry the groom’s sister, a practice of exchanging girls that is entrenched in conservative regions of Pakistan. It even has its own name in Urdu: Watta Satta, “give and take”. A mix of interests – family obligations, desire for sons, a wish to hand off a girl to a husband – can lead to a young teen in an a marriage she never sought. (Photo by K.M. Chaudhry/AP Photo)

A performer and his son parade during a gathering of sapeurs in Kinshasa, capital of the Democratic Republic of Congo, on February 10, 2023. Flamboyant dandies paraded near the tomb of one of their icons in DR Congo's capital Kinshasa, flaunting coveted designer labels in stark contrast to the grinding poverty surrounding them. Dozens of extravagantly dressed dandies, known locally as sapeurs, turned up on February 10, 2023 to commemorate the death of Stervos Niarcos, a pop star and one of the most famous of Congo's legendary dandies. Niarcos, who died in 1995, epitomises the fanatical pursuit of elegance for many in the abysmally poor central African country. (Photo by Alexis Huguet/AFP Photo)

Street photographer Yassine Alaoui Ismaili follows 16-year-old Emeer Guesmi, aka B-boy Zulu Rema, as he trains and performs breakdance moves – all without the use of his legs. At a breakdance championship in Tunisia, Casablanca-based street photographer Yassine Alaoui Ismaili noticed an unusual competitor: Emeer Guesmi, dancing without the aid of his lower legs. He started following him as he trained and performed. (Photo by Yassine Alaoui Ismaili/The Guardian)

Mazouza Bouglada, 86, a berber woman from the Chaouia region, who has facial tattoos, poses for a photograph in Taghit in the Aures Mountain, Algeria October 8, 2015. Bouglada was tattooed aged 7 by a nomadic man from the Sahara region. She was advised by her mother to get tattooed. The more she got tattooed the more she showed off. Even if she still remembers the pain, she felt beautiful once it was done, Bouglada said. She was very proud of her stars on her cheeks. Her eldest sister had been tattooed before her and she wanted to imitate her. Bouglada said she has now given away all her silver jewellery to atone for the sin that believers told her she had committed by being tattooed. (Photo by Zohra Bensemra/Reuters)

Environmental activist Rob Greenfield walks around Beverly Hills, California on May 16, 2022 wearing a suit filled with every piece of trash he has generated living and consuming like a typical American for one month to raise awareness about how much garbage just one person generates. (Photo by Robyn Beck/AFP Photo)

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)

“The inspiration for this book came to me one afternoon as I watched my son, Hudson, playing with his toy bus. I was trying to keep pace with his three-year-old mind as he got deeper and deeper into a fantasy involving nothing more than a yellow plastic box and armless figurines. At least that’s what I saw. He saw frantic commuters rushing to catch the 77 local bus to Australia. He jumped in place, mouth open and slapping his knees, joyously reacting to a world I couldn’t see, but one powerfully present for him...”. – Jordan Matter

Photo: “Dancers Among Us”: Macys, NYC – Annmaria Mazzini. (Photo by Jordan Matter)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)