The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

A dog from the K9 Division of the Sri Lanka Army’s Commando Regiment performs during an event to mark International Children’s Day at a school in Welisara, Colombo, Sri Lanka, 01 October 2016. Sri Lanka marks the Children's Day on 01 October with more emphasis on prevention of child abuse. (Photo by M.A. Pushpa Kumara/EPA)

Visitors attend a press preview of the 2012 Whitney Biennial at the Whitney Museum of American Art on February 27, 2012 in New York City. The contemporary art exhibition includes sculpture, photography, painting, installations, dance, theater, film and music and runs from March 1 through May 27. (Photo by Mario Tama/Getty Images)

It's often said that pets and their owners can start to look alike, but these adorable photographs take the old mantra to a new extreme. They are the work of Svetlana Valyiskaya (27), from St Petersburg, who snaps pets in everyday poses in her spare time from her job as a commercial photographer. The vibrant costumes and scenes, which Svetlana designs herself, have made the photos a hit in her native Russia – and it's not hard to see why. She said: “I really love animals, they are loyal, faithful and true and always interesting to work with – plus they never criticise the photographs afterwards”. (Photo by Svetlana Valyiskaya/Mercury)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)