Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.

We all have our own ways of passing time on our daily commutes. Some people read, others try to sleep, and many listen to music or play on their phones. But one creative commuter has a simple and highly entertaining way that hopefully more people will embrace. By placing a face from a newspaper in front of a person at just the right angle, they transform other commuters into recognizable celebrities while keeping the unbeknownst participant obscured.

Two Year ago, we featured some creative nail photography by Vlad Artazov, who used nails to create some lovely and moving scenarios. The story of Nail Art is still one of most popular post on our site. And today’s topic: The story of Pin is a kind of similar photography work by Jun.C, a professional portrait photographer. Not sure whether Jun’s work was inspired by Vlad Artazov, but that is definitely worth seeing still. Let us know which one you like better? Nail or Pin?

Tens of thousands of HIV positive prostitutes in the slums of Lagos to ensure a rapid spread of the epidemic. “If you arrive by car, you can smell the HIV virus outside”, joked my driver as we are on track to Badia a criminal slums of Lagos. Badia is a corruption of “Bad Area”. Nigerians have a lack of everything, except black humor. The poor West African country Nigeria, with a population of 140 million people, after India and South Africa the highest number of people with HIV / AIDS. (Photo by Ton Koene/Exclusivepix Media)

Buddy Mae Walker (R), 4, looks at herself in the mirror while trying on a child respirator provided by the non-profit TeamRaccoonPDX on October 6, 2020 in Portland, Oregon. We told them their grandparents sent them space suits to keep them safe, Jessica Walker said of the respirators, which the family sought out after police used tear gas near their residential street. (Photo by Nathan Howard/Getty Images)

Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)