Afghanistan, published by Taschen later July, is a retrospective portfolio of the Magnum photographer Steve McCurry’s most striking images of the country, from 1979 to 2016. Here: Kunar province, 1980. Armed mujahideen carry animal skins to use as inflatable buoys to cross rapids. (Photo by Steve McCurry/Taschen/Magnum Photos/The Guardian)

English television personality Georgia Harrison is seen attending House of CB Christmas Party at Old Sessions House on November 29, 2023 in London, England. (Photo by Ricky Vigil M/Justin E Palmer/GC Images)

(L-R) Canadian actor Patrick J. Adams as Michael Ross and American member of the British royal family and a former actress Meghan Markle as Rachel Zane at “Breakfast, Lunch and Dinner”, Episode 402 in April 2014. (Photo by Ian Watson/USA Network/NBCU Photo Bank/NBCUniversal via Getty Images)

Actress Laverne Cox attends The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. (Photo by Christopher Polk/Getty Images for NARAS)

“An artist has slammed junk food culture by creating shocking portraits of models covered in burgers, fries and even ketchup. Some of James Ostrer’s pictures resemble one of Willy Wonka’s nightmares as he uses liquorice for eyes and strawberry bootlaces for hair. In others, the 35-year-old smears his models’ faces with tears of ketchup and uses burgers, fries and sausages for facial features. James made the mouth-watering monstrosities to show the rampant consumption of junk food and how it affects our moods”. – Caters News

I’m an illustrator based in South Wales, UK. I work in pen and ink, creating original illustrations for record cover artwork, shirt design and poster art.

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.