In this Monday, January 23, 2017 photo, chicken feet snacks shop owner Leung Kin-kung testes a chicken feet in Hong Kong. Saturday marks the start of the lunar Year of the Rooster and families in China will reunite for festivities, fireworks and food. While tradition calls for feasting on “auspicious” foods, many will also munch on staple snacks like “phoenix claws”, the Chinese name for chicken feet. (Photo by Vincent Yu/AP Photo)

Recording artist Beyonce performs onstage during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for NARAS)

Wingsuit flyer contestant Melissa Pemberton of the U.S. jumps off a mountain at Tianmen Mountain National Park in Zhangjiajie, Hunan province October 19, 2014. (Photo by Reuters/China Daily)

A model poses at Checkpoint Charlie, a historic place in the German capital to promote the fashion magazine “Sous” on June 12, 2012. (Photo by Maurizio Gambarini)

Manuela (L) and Marta, members of the Revolutionary Armed Forces of Colombia (FARC), pose for a picture at a camp in the Colombian mountains on February 18, 2016. Many of these women are willing to be reunited with the children they gave birth and then left under protection of relatives or farmers, whenever the peace agreement will put an end to the country's internal conflict. (Photo by Luis Acosta/AFP Photo)

Thomas Thwaites of the United Kingdom accepts the 2016 Ig Nobel Prize in Biology for “creating prosthetic extensions of his limbs that allowed him to move in the manner of, and spend time roaming the hills in the company of, goats” during the 26th First Annual Ig Nobel Prize ceremony at Harvard University in Cambridge, Massachusetts, U.S. September 22, 2016. (Photo by Brian Snyder/Reuters)

Alphajet aircraft draw a heart-shaped message in the sky during the 2010 presentation show of the French aerobatics team Patrouille de France, over the French city of Salon-de-Provence. (Photo by Gerard Julien/AFP Photo)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)