One month-old endangered Bornean Orang Utan sleeps on his mother named Miri on Wednesday, March 6, 2013, in Singapore. The Singapore Zoo is renowned for its flagship animal, the Orang Utan, and exhibits both the endangered Bornean and critically endangered Sumatran sub-species in a social setting. It is also known for its efforts in promoting and educating the public about the importance of wildlife conservation through its educational programs and breeding of these endangered species. (Photo by Wong Maye-E/AP Photo)

In this January 7, 2016, photo, conservationists of Borneo Orangutan Survival Foundation hold a baby orangutan rescued along with its mother during a rescue and release operation for orangutans trapped in a swath of jungle in Sungai Mangkutub, Central Kalimantan, Indonesia. Last year's forest fires drove orangutans closer to the river bank, where they had to live in an over-populated swath of forest as thin as 30 meters wide along the river. (Photo by Dita Alangkara/AP Photo)

A storm whips through a tented area occupied by Nepalese earthquake survivors as a mother grabs her infant child and runs to find shelter in Kathmandu, Nepal 23 May 2015. Nepalese, who lost their homes in earthquake and fear aftershocks, have been living in temporary shelter in open ground which they had to flee because of the heavy rain and powerful wind. (Photo by Narendra Shrestha/EPA)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)

Mother and daughter volunteers Niki, right, and Rachel practice their pancake tossing technique in the streets of Wimborne model town and gardens before taking part in the Wimborne Minster virtual pancake race, in Wimborne, England, Tuesday February 16, 2021. Although a physical race cannot take place this year due to the coronavirus restrictions, Wimborne Minster has invited people to film themselves tossing a pancake for 30 seconds and posting it to Facebook. (Photo by Andrew Matthews/PA Wire via AP Photo)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

“The inspiration for this book came to me one afternoon as I watched my son, Hudson, playing with his toy bus. I was trying to keep pace with his three-year-old mind as he got deeper and deeper into a fantasy involving nothing more than a yellow plastic box and armless figurines. At least that’s what I saw. He saw frantic commuters rushing to catch the 77 local bus to Australia. He jumped in place, mouth open and slapping his knees, joyously reacting to a world I couldn’t see, but one powerfully present for him...”. – Jordan Matter

Photo: “Dancers Among Us”: Macys, NYC – Annmaria Mazzini. (Photo by Jordan Matter)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)