Egmont National Park in New Zealand with Mt. Taranaki at its center is seen in a Landsat 8 satellite image taken July 3, 2014 and released by NASA November 14, 2014. The image is from the book “Sanctuary: Exploring the World's Protected Areas from Space”, published by the Institute for Global Environmental Strategies with support from NASA, which was released this week. (Photo by Reuters/NASA/USGS)

Kale grows at Kajodlingen farm in Gothenburg, Sweden, September 28, 2016. They are doing it on the rooftops, on tower block balconies and even on a disused railway: Swedes have discovered a passion for urban gardening as a way of growing fresh food and getting back in touch with nature. Part of a global movement, an increasing number of Swedish city-dwellers are growing their own in window boxes and allotments or are visiting public gardens built in or on industrial or office spaces. (Photo by Maxim Shemetov/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

People dancing to buskers performances in Sai Yeung Choi Street South in Mongkok district, Hong Kong, China, 28 July 2018. After 18 years of unregulated street performances, the street performers were forced to give up the space to vehicular traffic again. (Photo by Jerome Favre/EPA/EFE)

Paramasivan points to the statue of sun god Surya at a temple outside the Kodaikanal Solar Observatory, India, February 5, 2017. In the early morning darkness, Devendran P. walks up a hill to a solar observatory in India's southern hill town of Kodaikanal, trudging the same path his father and grandfather walked in a century-old family tradition of studying the sun. (Photo by Danish Siddiqui/Reuters)

The Soyuz TMA-18M spacecraft is transported from an assembling hangar to its launch pad at the Baikonur cosmodrome, Kazakhstan, August 31, 2015. The Soyuz is scheduled to blast off with Aidyn Aimbetov of Kazakhstan, Sergei Volkov of Russia and Andreas Mogensen of Denmark to the International Space Station (ISS) on September 2, 2015. (Photo by Shamil Zhumatov/Reuters)

“These are the stunning images of some of Americas most breathtaking churches – all of which are abandoned. Matthew Christopher travels around the United States taking shots of its most beautiful decaying wonders. He shot those in his churches series in Philadelphia, Pennsylvania, where he works as a photographer and lecturer. Matthew’s fascination with such abandoned spaces started when he was a child when he enjoyed looking at artwork set in buildings that have since decayed”. – Caters News. Photo: St. Boniface Church, Philadelphia Pa. (Photo by Matthew Christopher/Caters News)