A man wearing a face mask to help protect from the coronavirus carries a bag of groceries as he walks by a mural depicting an iconic financial market bull statue near the central business district, Monday, April 18, 2022, in Beijing. (Photo by Andy Wong/AP Photo)

The graffiti against the war in Ukraine of the street artist ChemiS in Prague, Czech Republic, March 19, 2022. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)

A photo taken on November 17, 2021 shows two glass recycling containers transformed as part of the new GAU project (Gallerie Urbane di Città Ideale, or Urban Galleries of the Ideal City), promoted by the cultural association Progetto Goldstein, in the Circonvallazione cornelia street of Rome. The project is transforming 34 containers for the separate collection of glass into artists' canvases with a special tribute to poet Dante and his Divine Comedy. (Photo by Tiziana Fabi/AFP Photo)

A person reacts on the “Swiftie Steps” ahead of a Taylor Swift concert, following the cancellation of three Taylor Swift concerts in Vienna because of a planned attack, at Wembley Stadium in London, Britain on August 15, 2024. (Photo by Toby Melville/Reuters)

People walk near an artwork depicting Pope Francis, following the death of the pontiff, in Rome, Italy, on April 22, 2025. (Photo by Dylan Martinez/Reuters)

A mysterious sea creature with some frighteningly sharp teeth washed up on a beach in England last week, where David Mackland snapped these photos. A Grind TV story reports that Mackland estimated the creature to be about 4-5 feet in length. (Photo by David Mackland/OurCarnoustie)

“Tasty Nature” by Dipesh Bhatt. “The blue banded bee (Amegilla cingulata) is pointing this sheath towards the flowers in preparation for sipping nectar”. Taken in Gujarat, India. (Photo by Dipesh Bhatt/2016 Royal Society of Biology Photographer of the Year competition)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)