Keen diver Yusuke Fukami fulfilled a personal dream by snapping a cartoon-like Costasiella sea slug while in Bali in the last decade of December 2024. (Photo by Yusuke Fukami/South West News Service)

Fishermen repair brightly coloured nets before their next trip to the River Matla in West Bengal, India in the last decade of July 2025. (Photo by Avishek Das/Solent News & Photo Agency)

Palestinians drive classic cars during a gathering organized by the Bethlehem municipality near the Church of the Nativity in Manger Square in Bethlehem in the Israeli-occupied West Bank, on October 17, 2025. (Photo by Mussa Qawasma/Reuters)

Swedish actress Malin Akerman arrives at the 2025 Baby2Baby gala on Saturday, November 8, 2025, at Pacific Design Center in West Hollywood, Calif. (Photo by Jordan Strauss/Invision/AP Photo)

A man holds on a rope as he tries to board a truck while crossing floodwaters brought by typhoon Koppu that battered Candaba town, Pampanga province, north of Manila October 20, 2015. Typhoon Koppu swept across the northern Philippines killing at least nine people as trees, power lines and walls were toppled and flood waters spread far from riverbeds, but tens of thousands of people were evacuated in time. (Photo by Romeo Ranoco/Reuters)

“John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881”. – Wikipedia. Photo: Ex Omnibus Driver. (Photo by John Thomson/LSE Digital Library)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.