An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

In this June 29, 2015 photo, hairdresser Loavia Bienaime, 30, sits on her bed as she prepares to begin her day in the room her family occupies in an government office building that was damaged in the 2010 earthquake in Port-au-Prince, Haiti. Bienaime's husband, Jimmy Bellefleur, used his skill as an electrician to connect the abandoned building to the power grid, and has repaired broken televisions, fans, and a blender for the family to use. (Photo by Rebecca Blackwell/AP Photo)

A man holds a metal bar as a weapon during a training day for former soldiers and volunteers train in a makeshift camp in the outskirts of Port-au-Prince, Haiti, October 28, 2015. Haiti disbanded its abusive armed forces two decades ago but uniformed veterans and young recruits are resurfacing to add another destabilising factor to the volatile Caribbean nation already dealing with a political vacuum. (Photo by Andres Martinez Casares/Reuters)

In this photograph taken on October 27, 2017 an Afghan woman collects saffron flowers after picking them in a field on the outskirt of Herat For years, Afghanistan has tried to give farmers alternatives such as fruit crops and saffron to wean them away from poppy farming – the lifeblood of the Taliban insurgency. International donors have splurged billions of dollars on counter- narcotics efforts in Afghanistan over the past decade, including efforts to encourage farmers to switch to other cash crops such as saffron. But those efforts have shown little results. (Photo by Hoshang Hashimi/AFP Photo)

A man stands near smoke billowing from a brick kiln in Karachi, Pakistan, 14 December 2018. According to the UN report, carbon dioxide (CO2) emissions have increased for the first time in four years. The United Nations Conference COP24, held in Katowice, Poland, until 14 December 2018, searches for a common position in the fight against climate change. (Photo by Shahzaib Akber/EPA/EFE)

A boy plays with a dragon-shaped puppet as he walks with his parent at Sydney CBD ahead of the Lunar New Year on February 09, 2024 in Sydney, Australia. Lunar New Year, also known as Chinese New Year, is celebrated around the world, and the Year of the Wood Dragon in 2024 is associated with growth, progress, and abundance, as wood represents vitality and creativity, while the dragon symbolizes success, intelligence, and honor. (Photo by Roni Bintang/Getty Images)

“This city in Bolivia's highlands has hired Aymara women dressed in traditional multilayered Andean skirts and brightly embroidered vests to work as traffic cops and bring order to its road chaos. About 20 of the “traffic cholitas” have been trained to direct cars and buses in El Alto, a teeming, impoverished sister city of La Paz in Bolivia's Andes mountains”. – El Alto via Associated Press. Photo: In this December 3, 2013 photo, an Aymara woman cops directs traffic on the streets of El Alto, Bolivia. The women wear the bright petticoats and shawls of indigenous women in the Andes, called cholitas in Bolivian slang, the main difference being that instead of bowler hats they wear khaki green police-style caps. Some don fluorescent traffic vests. (Photo by Juan Karita/AP Photo)

Kenyan photographer and art director Barbara Minishi (L) takes pictures of her room mate and fashion stylist Wambui Thimba (R) wearing a creation by a Kenyan fashion designer on the rooftop of their apartment in Nairobi, Kenya, on June 1, 2020. After their scheduled works was cancelled due to the spread of the COVID-19 coronavirus, Minishi and Thimba have started their own project called “the Kenya Fashion & Style Diary in 21 days” to showcase a Kenyan fashion brand everyday for 3 weeks on social networking services since May 22, 2020 by only shooting at their apartment. (Photo by Yasuyoshi Chiba/AFP Photo)