Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

Jazmin, 6, sister of Jose Luis, receives Isoniazid Preventive Therapy in Carabayllo in Lima, Peru July 14, 2016. At least 30,000 Peruvians are infected with tuberculosis, an ancient disease that killed 1.8 million globally last year, more than AIDS-related and malaria deaths combined. Partners in Health, a Boston-based non-profit that works with Peru's health ministry, offers a simple solution. It trains community volunteers to tend to tuberculosis sufferers in their homes – ensuring patients take medicine daily and helping them navigate the public health bureaucracy. (Photo by Mariana Bazo/Reuters)

In his newest series of photos called Low Tech, Kevin Twomey artfully captures the complexity of old-style typewriters and similar machines. Despite being completely outdated, you cannot help being amazed at how complicated those “simple” devises really are. Hundreds of little parts were meticulously put together to form a machine that would perform such “basic” functions by today’s standards. Similarly, very few modern people actually think about how complicated the current technology really is. We take for granted streaming videos, GPS, and countless devises that we use every day, while in reality, these things would seem like magic to even the most prominent scientists from only half a century ago. (Photo by Kevin Twomey)

“The Lovell Telescope is a radio telescope at Jodrell Bank Observatory, near Goostrey, Cheshire in the north-west of England. When it was constructed in 1955, the telescope was the largest steerable dish radio telescope in the world at 76.2 m (250 ft) in diameter; it is now the third largest, after the Green Bank telescope in West Virginia, USA, and the Effelsberg telescope in Germany. It was originally known as the 250 ft (76 m) telescope or the Radio Telescope at Jodrell Bank, before becoming the Mark I telescope around 1961 when future telescopes (the Mark II, III, and IV) were being discussed. It was renamed to the Lovell Telescope in 1987 after Bernard Lovell, and became a Grade I listed building in 1988. The telescope forms part of the MERLIN and European VLBI Network arrays of radio telescopes”. – Wikipedia

Photo: The Lovell Telescope listens to the night sky for radio signals from space at Jodrell Bank on June 22, 2011 in Holmes Chapel, England. Jodrell Bank Centre for Astrophysics and it's world famous Lovell Telescope is on the shortlist of Britain's submission for Unesco World Heritage Site status. (Photo by Christopher Furlong/Getty Images)

“The Dream Chaser is a planned crewed suborbital and orbital vertical-takeoff, horizontal-landing (VTHL) lifting-body spaceplane being developed by SpaceDev, a wholly owned subsidiary of Sierra Nevada Corporation (SNC). The Dream Chaser design is planned to carry seven people to and from low earth orbit. The vehicle would launch vertically on an Atlas V and land horizontally on conventional runways”. – Wikipedia

Photo: NASA Deputy Administrator Lori Garver talks during a press conference with Sierra Nevada's Dream Chaser spacecraft in the background at the University of Colorado at Boulder on February 5, 2011 in Boulder, Colorado. Sierra Nevada's Dream Chaser spacecraft is under development with support from NASA's Commercial Crew Development Program to provide crew transportation to and from low Earth orbit. NASA is helping private companies develop innovative technologies to ensure that the U.S. remains competitive in future space endeavors. (Photo by Bill Ingalls/NASA via Getty Images)

An internally displaced woman collects water from a pond to construct a mud-house at the Aboushok camp in El Fasher, North Darfur, Sudan, November 17, 2015. The conflict in Sudan's Darfur region that erupted 12 years ago shows no sign of ending. But it hasn't stopped displaced youngsters, some of whom have spent their entire lives in refugee camps, from dreaming big. Twelve children aged 12 explain their hopes and dreams for the future; ambitions include becoming a doctor, an engineer and a teacher. (Photo by Mohamed Nureldin Abdallah/Reuters)

Mangli Munda poses on her wedding day with a stray dog in Jharkhand, India on August 30, 2014. An 18-year-old Indian girl has married a stray dog as a part of a tribal ritual designed to ward off an evil spell. Village elders hastily organised the wedding between Mangli Munda and the canine as the teenager is believed to be bringing bad luck to her community in a remote village in Jharkhand state. Mangli's father Sri Amnmunda agreed and even found a stray dog named Sheru as a match for his daughter. And while Mangli was a hesitant bride, she believes that the ceremony will help ensure that her future human husband will have a long life. (Photo by Barcroft Media/ABACAPress)

Modern art is truly fascinating. Not in a way that it produces some novel things that will fascinate future generations for decades and even centuries to come. No, that is very far from the truth. On the contrary, modern art is essentially anything (yes, any little thing) that is a bit unusual and was created by a famous person. Let’s take the creation of Antoine Bridier-Nahmias for example. His brainchild is a set of pictures of petri dishes that were contaminated by various cultures of fungi. If this is art, I missed my chance of becoming famous when I accidentally left a piece of bread in a bag in a cupboard for about six months, and didn’t take a picture of the rather shocking results that awaited me when I finally discovered it. (Photo by Antoine Bridier-Nahmias)