First Lady Melania Trump kisses Canada's Prime Minister Justin Trudeau next to the President Donald Trump during the family photo with invited guests at the G7 summit in Biarritz, France, August 25, 2019. (Photo by Carlos Barria/Reuters)

Family members perform the Manene traditional rite, cleaning the relatives' preserved remains, in Lembang on August 15, 2022, which is held every three years in August and is said to bless the harvest of rice fields. (Photo by Andri Saputra/AFP Photo)

Migrant workers and their families board an overcrowded passenger train, after government imposed restrictions on public gatherings in attempts to prevent spread of coronavirus disease (COVID-19), in Mumbai, India, March 21, 2020. (Photo by Prashant Waydande/Reuters)

3-year-old Myla Mills plays with a two day old lamb in a toy pram in her family's farmyard in Arley, Worcestershire, United Kingdom on January 28, 2023. Early lambs are produced when the ram is free to tup the ewes over winter. (Photo by Peter Lopeman/Alamy Live News)

People and devotees visit the Jama Masjid mosque in the walled city area of New Delhi on November 26, 2022, after reports stating that Delhi's Jama Masjid management, rolled back a ban on entry of women without families. (Photo by Sajjad Hussain/AFP Photo)

Friends and family fuss over a quinceañera in preparation for her photo session at Colon square in the Zona Colonial neighborhood of Santo Domingo, Dominican Republic, Wednesday, May 15, 2024. Dominicans head to the polls on Sunday, May 19th to elect a new president and members of their Congress. (Photo by Matias Delacroix/AP Photo)

Mirko Hanák was born in 1921 in Prague, Czech Republic and worked as a painter, graphic designer and illustrator. His specialties were animals and human figures that were full of life and fun. He also had a firm grasp on composition as his paintings were so well balanced despite his casual fluid line. He was working on “Charlotte's Web” the movie when he tragically died at the height of his career from leukemia in 1971.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.