A man holds his scythe during the Harvest Festival in Hosszuheteny, Hungary, July 9, 2016. (Photo by Laszlo Balogh/Reuters)

A vendor sells chili peppers at his stall at a market in Bangkok, Thailand March 31, 2016. (Photo by Jorge Silva/Reuters)

A migrant labourer brushes his teeth in front of a scrapped helicopter model in Mumbai, India, April 13, 2016. (Photo by Danish Siddiqui/Reuters)

In this July 30, 2014 photo, neighbors help gravely injured Mohammed al-Selek, 39, wounded by an Israeli mortar strike as he lays next to the body of Palestinian journalist Rami Reyan who was killed, in the Shijaiyah neighborhood of the northern Gaza Strip. Al-Selek's life changed forever last July 30, when the shells slammed into his home killing all his three children, his father and six other relatives. A year later, al-Selek, who lost his leg during the airstrike, still struggles to recover and come to terms with his family's loss in the 50-day Israel-Hamas war. (Photo by Adel Hana/AP Photo)

A Ukrainian serviceman kisses his partner at the train station in Kramatorsk, Ukraine, Thursday, March 23, 2023. (Photo by Evgeniy Maloletka/AP Photo)

A man with a cap on his face sleeps on a floor at the Mahabat Khan Mosque in Peshawar, Pakistan on March 4, 2019. (Photo by Fayaz Aziz/Reuters)

A young boy walks to his school bus on a foggy day in Dubai on March 14, 2024. (Photo by Chris Whiteoak/The National)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)