Police run past a burning car as they push protesters back during the “yellow vests” demonstration near the Arc de Triomphe on December 8, 2018 in Paris France. “Yellow Vests” (“Gilet Jaunes” or “Vestes Jaunes”) is a protest movement without political affiliation which was inspired by opposition to a new fuel tax. (Photo by Chris McGrath/Getty Images)

Cholita wrestlers stage a performance on the street during the Electropreste celebration, which combines traditional and modern customs, in La Paz, Bolivia on March 12, 2022. (Photo by Claudia Morales/Reuters)

An actor performs during the show “Paris de Nuit” in Santiago, Chile, 20 September 2016. The show is a combination of cabaret and circus, produced by the Recirquel Contemporary Circus Company from Budapest, and will be performed at the Mapocho Cultural station from 20 to 25 September. (Photo by Mario Ruiz/EPA)

Brazil's Camila Muller during the Women's 400m – T11 Round 1 at the Stade de France on day two of the Paris 2024 Summer Paralympic Games on Friday, August 30, 2024. (Photo by Adam Davy/PA Wire)

Ambra Sabatini (ITA) and Monica Graziana Contrafatto (ITA) fall at the finish line ahead of Elena Kratter (SUI) and Noelle Lambert (USA) in the Para Athletics Women’s 100m -T63 Final during the Paris 2024 Paralympic Summer Games at Stade de France, on September 7, 2024. (Photo by Adrian Dennis/OIS via Imagn Images)

Kika-evolution, 5, an Auguste clown, poses for a photo during Mexico’s 17th annual clown convention, La Feria de la Risa, in Mexico City, October 23, 2012. Approximately 500 clowns gathered at two local theaters in the capital city to exchange ideas, compete for laughs and show off their comedy performances. (Photo by Anita Baca/AP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Medical personnel jump in the COVID-19 unit at the CHR Centre Hospitalier Regional de la Citadelle Hospital, during the coronavirus disease (COVID-19) outbreak, in Liege, Belgium, April 22, 2020. (Photo by Yves Herman/Reuters)