To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

In this handout provided by Maritime New Zealand, MV Rena is battered by strong seas as it is stuck on Astrolabe Reef, on November 2, 2011 in Tauranga, New Zealand. The stricken vessel encountered a three metre swell, which led authorities to fear it may finally break up. Rena struck the reef on October 5, and has spilled 350 tonnes of oil, and almost 100 shipping containers. (Photo by Graeme Brown/Maritime New Zealand via Getty Images)

Leading contemporary artist Remi LaBarre describes his evocative oils as “painted songs”. Influenced by John Singer Sargent, his work reflects the lighting of hushed environments and presents poetic narratives of life after dark in bars and clubs. Remi's acclaimed artwork has won him a formidable reputation in Europe and North America. His premier UK collection features a breathtaking quartet of musical portraits which represent an atmospheric homage to his great love of jazz.

Live octopus is a delicacy in South Korea but is a known choking hazard, since the still-moving suction cups can cause tentacle pieces to stick in a person's throat. A baby octopus is often consumed whole, while larger varieties are cut up and the still-wriggling tentacles eaten with a splash of sesame oil. Photo: A South Korean man and a woman eat a live octopus during an event to promote a local food festival in Seoul on September 12, 2013. (Photo by Jung Yeon-Je/AFP Photo)

Ender Moreno looks for gold at La Culebra gold mine in El Callao, Bolivar state, southeastern Venezuela on March 1, 2017. Although life in the mines of eastern Venezuela is hard and dangerous, tens of thousands from all over the country head for the mines daily in overcrowded trucks, pushed by the rise in gold prices and by the severe economic crisis affecting the country, aggravated recently by the drop in oil prices. (Photo by Juan Barreto/AFP Photo)

A Fulton Hotshot lights a controlled burn on the so-called “Rough Fire” in the Sequoia National Forest, California, August 21, 2015. In California, suffering its worst drought on record, about 2,500 people were forced to flee Christian camps east of Fresno at Hume Lake as the so-called Rough Fire crossed Highway 180, officials said. (Photo by Max Whittaker/Reuters)

We are all drawn to fire, entranced by its beauty and ferociousness. Its brilliance draws us in like moths to a candle flame. Thus, many of the celebrations that humans have involve lighting fires. They can be big or small; there could be many little lights or one giant inferno; they may float on water, burn on land, or rise high into the skies. Loi Krathong is a festival that is held each year in Thailand and a number of other places. During this festival thousands of little fires are lighted, presenting a marvelous sight for all the onlookers. It is believed that this tradition is an adaptation of Brahmanical festival, which was adopted by Thai Buddhists to honor Buddha.

A woman waits at a polio immunisation health centre, in Maiduguri, Borno State, Nigeria, August 29, 2016. Nigeria's military has liberated large swathes of land from Boko Haram but a ride with an army convoy, all guns firing for fear of ambush, shows how far the northeast is from normality after a brutal Islamist insurgency that has displaced millions. (Photo by Afolabi Sotunde/Reuters)