A woman holds newly designed Indonesia Rupiah banknotes after exchanging her old bills at a Bank Indonesia mobile bank in Jakarta, Indonesia December 19, 2016. (Photo by Fatima El-Kareem/Reuters)

One of the invited tattoo artists, Tom Storm, works on the arm of Kerrie Hibbert at the 2017 Tattoo Collective event at the Old Truman Brewery in London, England on February 17, 2017. (Photo by PA Wire)

A model, painted by the artist Avi Ram from Airbrush Hero, poses for a photo as part of a calendar project, at the Tower of David in Jerusalem's Old City, April 27, 2017. (Photo by Ronen Zvulun/Reuters)

A helicopter is silhouetted by glowing embers as it makes a water drop at the “Old Fire”, which burned in Calabasas, California, U.S., June 4, 2016. (Photo by Gene Blevins/Reuters)

The six-months-old female koala cub holds on to the back of zoo keeper Lena at the zoo in Duisburg, Germany, 23 October 2015. The yet unnamed baby weighs 580 grams. (Photo by Roland Weihrauch/EPA)

An Egyptian dancer performs the Tanoura outside a coffee shop at al-Muizz street in the old Islamic quarter of Cairo on August 29, 2024. (Photo by Khaled Desouki/AFP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Two one-year old baby mountain gorillas play together in the forest of Bwindi Impenetrable National Park in southwestern Uganda on Saturday, April 3, 2021. (Photo by AP Photo/Stringer)