In this Friday, January 9, 2015 photo, bathhouse worker Omid Riahi, 39, scrubs a man to remove dead skin, at the Ghebleh public bathhouse, in Tehran, Iran. The steamy air and curved tiled walls of Iran's famed public bathhouses, some rinsing and massaging patrons for hundreds of years, slowly may wash away as interest in them wanes. The bathhouses, known as “hammams” in Persian, find themselves in rough financial times as modern conveniences now allow showers and baths in most homes across the Islamic Republic. (Photo by Ebrahim Noroozi/AP Photo)

A British Museum representative poses for photographs next to Andy Warhol's “Mao”, left, and Jim Dine's “Drag: Johnson and Mao” which feature in “The American Dream: pop to the present” exhibition during a media photocall at the British Museum in London, Monday, March 6, 2017. The exhibition, which opens to the public from March 9 and runs until June 18, charts modern and contemporary print making. (Photo by Matt Dunham/AP Photo)

People watch as workers inflate a near-10 metre high giant spider by Singaporean artist Jackson Tan in Singapore's Marina Bay financial district on February 6, 2017. The spider is one of several inflatable creatures that will form the Art-Zoo, a section created by Singaporean artist Jackson Tan for the iLight Marina Bay annual light-art festival in the city-state. (Photo by Roslan Rahman/AFP Photo)

Minimiam is a project of the Japanese photographer Akiko Ida and French photographer Pierre Javelle. They met studying photography at the Paris “Arts Décoratifs” art school. The project has been ongoing since 2002 and was inspired by the married couple’s profession as commercial food photographers.

“George Clair Tooker, Jr. (August 5, 1920 – March 27, 2011) was a figurative painter whose works are associated with the Magic realism and Social realism movements. He was one of nine recipients of the National Medal of Arts in 2007”. – Wikipedia

Photo: “Government Bureau”, 1956; Metropolitan Museum of Art. Artwork by George Tooker. P.S. All pictures are presented in high resolution.

Susan Lordi's art reflects our relationships with people and the world around us. Her keen observation of the human form is further inspired by dance, art history, nature, and personal experiences with family and friends. These influences are revealed in her Willow Tree® sculptures, from which emotion is communicated through gestures only.